Autographed Portrait of Adolf Hitler

Autographed Portrait of Adolf Hitler

Autographed portrait of none other than Adolf Hitler himself within an official presentation frame emblazoned with an eagle and his initials “A H”. Photo by Heinrich Hoffman with dedication reading “Berlin dem 11 Mai” followed by the Führer’s signature.

During the hardships of the Weimar Republic, the German people projected onto Adolf Hitler their own beliefs, wishes and desires, which he then incorporated into a vision of complete national rebirth. The transcendental quality of Hitler’s person is made apparent in Leni Riefenstahl’s groundbreaking film Triumph of the Will (1935), which documents the 1934 Nuremberg Rally. This divine mysticism is evident from the first sequences of the film, with Hitler descending from the clouds in an airplane. He was considered by many at the time as the messiah destined to lead Germany to glory.

Hermann Göring said of the Führer that “There is something mystical, inexpressible, almost incomprehensible about this one man…We love Adolf Hitler because we believe, deeply and steadfastly, that he was sent to us by God to save Germany.” Similarly, Joseph Goebbels referred to him as “the Greater German, the Führer, the Prophet, the Fighter that last hope of the masses, the shining symbol of the German will to freedom.” Hitler himself stated “I believe I am an instrument of nature to liberate Germany.” Indeed, philosopher Carl Jung reached the metaphysical conclusion that Hitler was nothing other than his own unconscious, into which the German people have projected their own selves; that is, he was but a vessel to carry out the collective, unconscious will of seventy-eight million Germans. Adolf Hitler was but the Gestalt manifestation of Germany itself.

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Autographed portrait of none other than Adolf Hitler himself within an official presentation frame emblazoned with an eagle and his initials “A H”. Photo by Heinrich Hoffman with dedication reading “Berlin dem 11 Mai” followed by the Führer’s signature.

During the hardships of the Weimar Republic, the German people projected onto Adolf Hitler their own beliefs, wishes and desires, which he then incorporated into a vision of complete national rebirth. The transcendental quality of Hitler’s person is made apparent in Leni Riefenstahl’s groundbreaking film Triumph of the Will (1935), which documents the 1934 Nuremberg Rally. This divine mysticism is evident from the first sequences of the film, with Hitler descending from the clouds in an airplane. He was considered by many at the time as the messiah destined to lead Germany to glory.

Hermann Göring said of the Führer that “There is something mystical, inexpressible, almost incomprehensible about this one man…We love Adolf Hitler because we believe, deeply and steadfastly, that he was sent to us by God to save Germany.” Similarly, Joseph Goebbels referred to him as “the Greater German, the Führer, the Prophet, the Fighter that last hope of the masses, the shining symbol of the German will to freedom.” Hitler himself stated “I believe I am an instrument of nature to liberate Germany.” Indeed, philosopher Carl Jung reached the metaphysical conclusion that Hitler was nothing other than his own unconscious, into which the German people have projected their own selves; that is, he was but a vessel to carry out the collective, unconscious will of seventy-eight million Germans. Adolf Hitler was but the Gestalt manifestation of Germany itself.